Anastacia-Renee


I grew up with dictionaries, encyclopedias and research books as my siblings. The kind of books you could hold and say, “This is so heavy” as you heave it on a kitchen counter or a plastic covered couch and thumb through it with a librarians thumb cover. I reveled in the idea that I was “being my mom,” who was a research librarian. I felt electric company power knowing that I was holding “the books” that teachers, librarians and scientists were using in their lives. What a weird aquarian child I was! Still—there is something in my DNA that keeps traveling the same spiral in my work. I created a form called “The Nines,” which is comprised of 9 stanzas, 9 lines, 9 section heads and a series of 9 “things.” For example, nine days, nine hours, nine lovers, nine miracles, nine wars, nine doors, etc. This particular poem was born out of me deconstructing that form but wanting desperately for the poem to maintain its potentiality as long poem in general and an “epic” poem for me because most of my poems are one to two pages.

Beyond form, the roux of the piece, is an interrogation on the definition of “Black Woman.” I envisioned the black woman as multiple patches of story, lineage and memory sewn together like a coded quilt. I desperately wanted to create a recipe for the black woman metaphorically and realistically and ponder what some of those ingredients might consist of. Then I thought about the black woman as both the created and the creator. As a hybrid writer who is drawn to mixing/meshing/messying up traditional forms like the haibun, sonnet, or epistolary, and poetic devices with footnotes, short editorial essays, and research I am always drawn to teetering around with music as its own source of hybrid infusion to poems. Truly the final draft did not arrive at the “ending point,” as I am still excavating what might be a definition for the black woman as no black woman is the same. But this “final” piece is where I am comfortably ending and calling it a poem—for now.

< draft 1 >

Entomology (1): Black Woman

 

the b stands 
for brains 
for bandages 
for beloved 
for beauty
for before & after 
for beyond to yonder 
for bad bitches 
for burnt biscuits
bar hopping & blessings 

(lack) 
she lacks nothing 
she lacks the luxury of living 
(ack) when she cannot fix it 
k could be Kareema or Kristina 
lack to lag if you are from the midwest; you lacking 
                    you laggin’ behine 
lack in the text books 
lack of color is—

(bla)

b l a c k 
a permanent marker
multitasking preposition
inside         outside 
over             there            under 
the color of my true loves hair 
blackity black ass black 
midnights mouth gaping 
spools of thick hair 
black like caution 
as the winds wife 
black like blank 
(c)  a  (n) 

black god//dess 
the universal fabric:   the cosmos 
wrap black 
rap black   hip hop            black 
bars
          bars 
                     bars 
pipeline to prison               black 
black pipes breaking       black 
black ancestors 
black-ing 
black-out     /slay/     out-black
                         /slay/
                         /slay/

the                  berry               juice 

black butterfly- deniece  williams (black) 
black magic woman-Santana (black) 
young gifted & black-nona Simone 

(black) 
woman 

whoa!
a can of woop ass      waiting 
a chunky belt of love holding us together 

om
a blazing moon            cratering 
time at warp speed slowed down 
for the rest of us to           see 

< final version >

Etymologies: The Black Woman *Mainly B’s*